By Joginder Tuteja, October 21, 2011 - 11:14 IST EXPECTATIONSYou have very good expectations from the music of Desi Boyz. First and foremost this is an unpretentious out and out commercial outing which means catchy music is pretty much on cards. Moreover, the title song with Akshay and John has already caught attention in a big way. Also, Pritam can well be expected to deliver goods in a biggie like this, especially after some chartbuster soundtracks that he has created for Akshay in the form of Action Replayy, De Dana Dan, Singh Is Kinng and Bhool Bhulaiyaa. With prominent lyricists like Kumaar, Irshad Kamil and Amitabh Bhattacharya contributing here, one looks forward to a fun and entertaining ride.
Desi Boyz gets a powerful beginning with 'Make Some Noise For The Desi Boyz' which is the kind of track that one would have expected when it comes to male bonding between the lead actors. A Punjabi-Hindi-English track by Kumaar that has K.K. singing in an altogether different style (when compared to far sombre songs that he usually sings for Pritam) along with Bob, this one is a chartbuster all the way. Boasted by addictive beats, relentless pace and some quick-fix arrangements that keep the adrenalin pumping for those four minutes, this one starts and finishes in a jiffy with no dull moment whatsoever. As expected, the song is also complimented by a 'remix version' which has a concert/club feel to it, hence requiring a wide dance floor that creates enough space to get the dance moves on. What takes the fun quotient forward is 'Subha Hone Na De' which is second straight chartbuster track in a row. This one is a club outing as well with a definite Indian melody to it which only accentuates the overall appeal of the song. With Mika Singh getting into a total mood while singing this fun-n-entertaining number, this one also has a sonic sound to it, courtesy the parts sung by Shefali Alvaris that gives an added touch to this Kumaar written number. Though the song requires a couple of listening to make one get into the groove, 'Subha Hone Na De' is all set to become popular in quick time. No wonder, the makers too show good confidence in the song, hence adding not just a 'remix version' but also repeat it as 'Tu Mera Hero'. After a couple of club outings comes a quintessential Bollywood dance number that has Pritam giving exactly what is expected from him. With its opening sound on the similar lines as 'Zor Ka Jhatka' [Action Replayy] and the mood similar to that of 'Twist' [Love Aaj Kal] , 'Jhak Maar Ke' is clearly one of the massiest numbers that John Abraham has danced to in his decade long career. With Neeraj Shridhar and Harshdeep Kaur clearly having a lot of fun behind the mike and singing to the rhythm of some 'desi' Punjabi beats, 'Jhak Maar Ke' written by Irshad Kamil works instantly with the listener and only makes one nod in approval by the time the 'remix version' arrives. A much refined version of 'Razia Gundo Mein Phas Gayi' [Thank You] comes in the form of 'Allah Maaf Kare' which only makes one sure that the makers here were sure about bringing in all the commercial ingredients that would have kept the mood of Desi Boyz upbeat and catering to class as well as mass audience. While this Irshad Kamil written song has a core Indian appeal to it, Pritam presents it in a Western avtar to bring in just the right fusion that ensures that 'Allah Maaf Kare' makes it four-in-a-row for Desi Boyz. With Sonu Nigam and Shilpa Rao bringing in a new dimension with their singing style here, 'Allah Maaf Kare' also arrives in it's remix version and makes one head to the dance floor. Last to arrive is 'Let It Be' which could just have turned into a sad outing if only lyricist Amitabh Bhattacharya would have changed a few words here and there or Pritam would have stepped into a much serious zone. However, despite the relatively serious mood of the song here when compared to the rest of the album, 'Let It Be' never makes one feel that the sound of Desi Boyz has been compromised. A song where the protagonist is regretting the mistakes he has made in life and now wants his partner (and life in general) to stick to him as he makes amends, this situational track is sung well by Shaan and has the composer's stamp all over it. OVERALLMusic of Desi Boyz exceeds expectations. While one was sure that there would at least a couple of chartbusters in the album due to reasons mentioned at the very beginning, it is clear that director Rohit Dhawan had additional expectations from his team here. Result is this soundtrack by Pritam which is one of the better 'masala' albums of the year that works as instant coffee and also promises a good shelf life once the film scores at the box office. OUR PICK(S) Subha Hone Na De, Allah Maaf Kare, Make Some Noise For The Desi Boyz, Jhak Maar Ke [Play Songs]
|
upcomming movie
Saturday, October 22, 2011
Desi Boyz
Tuesday, October 18, 2011
Dhoom 3 comming soon!!
The much awaited release of Dhoom 3 has now been shifted to 2013, a year later than the initial date
of end 2012. This has been necessitated because of various production and post-production considerations.
While the shoot begins from end-November 2011, we anticipate a demanding 10 to 11 months of intense shooting with concurrent post-production, which will stretch beyond. This will probably be cutting it too fine for a Christmas 2012 release.
In view of this and keeping the interest of the audience expectations from Dhoom 3, both Aditya Chopra and Vijay Krishna Acharya (Victor) in consultation with Aamir, have decided to delay the release of the film to 2013.
Speaking about this, Victor said, "Dhoom 3 is very dear to all of us as well as to its audience who expect only the best from the franchise. While the shooting will finish in time, we expect the post-production to take much longer. We are trying our best to give one of the finest cinematic experiences to our discerning audience and therefore did not want to compromise the quality of the film just to meet the release date."
Produced by Aditya Chopra, Dhoom 3 will be written and directed by Vijay Krishna Acharya, who has written Dhoom 1 & 2. He has also written and directed Tashan.
Both Abhishek Bachchan and Uday Chopra will continue in their now iconic roles of Jai Dixit and Ali.
Look forward to Dhoom 3 in 2013

While the shoot begins from end-November 2011, we anticipate a demanding 10 to 11 months of intense shooting with concurrent post-production, which will stretch beyond. This will probably be cutting it too fine for a Christmas 2012 release.
In view of this and keeping the interest of the audience expectations from Dhoom 3, both Aditya Chopra and Vijay Krishna Acharya (Victor) in consultation with Aamir, have decided to delay the release of the film to 2013.
Speaking about this, Victor said, "Dhoom 3 is very dear to all of us as well as to its audience who expect only the best from the franchise. While the shooting will finish in time, we expect the post-production to take much longer. We are trying our best to give one of the finest cinematic experiences to our discerning audience and therefore did not want to compromise the quality of the film just to meet the release date."
Produced by Aditya Chopra, Dhoom 3 will be written and directed by Vijay Krishna Acharya, who has written Dhoom 1 & 2. He has also written and directed Tashan.
Both Abhishek Bachchan and Uday Chopra will continue in their now iconic roles of Jai Dixit and Ali.
Look forward to Dhoom 3 in 2013
Friday, October 14, 2011
Ek Tha Tiger will be Salman's Eid release for 2012
d for a June 1, 2012, release will now release in theatres worldwide on EID 2012.
Since Aamir Khan wanted to release his next film, directed by Reema Kagti, on June 1 next year, he requested Salman Khan and Aditya Chopra to shift Ek tha Tiger to accommodate this release. Given the close relationship and mutual respect they share for one another, both Adi and Salman were happy to oblige and shift the release to Eid.
Directed by Kabir Khan and produced by Aditya Chopra, the film stars Salman Khan and Katrina Kaif in the lead roles.
The film is based on a story by Aditya Chopra and the Screenplay & Dialogues have been written by Kabir Khan and Neelesh Misra. Aseem Mishra, who has worked with Kabir on New York, is the DOP. The music will be scored by Sohail Sen.
The film is currently shooting in Dublin from where it moves on to Turkey for its next schedule.
Makers of Don 2 will be releasing series of witty one-liners by Don Click here to add this article to My Clips
"Don ko pakadna mushqil hi nahin namumkin hai..."
The lines that Shah Rukh Khan threw at his adversaries in Farhan Akhtar's Don went on to become far more popular than the superstar or director Farhan Akhar ever imagined.
And now just when the sequel is around the corner, Farhan and his producer-partner Ritesh Sidhwani have hit on a novel method to popularize 'Don' Shah Rukh Khan's quips and homilies.
Entitled 'Don Says...', the series of one-liners spoken on screen by the film's steely-nerved edgy-mouthed hero will be out one after another every Friday for 11 weeks from October 14 till the release date of Don 2 on December 23. One Don-gyan every week for the famished junta to chew on.
Explaining the smart-alecky strategy, Farhan says, "We're releasing the Don quips in a series called 'Don Says...' one after another, one every week from this Friday. These quips will be put out on every media from print to television to web to cell phones."
This Don-gyan gambit was seen as a smart marketing move in the light of the popularity Shah Rukh's quips gained after the first Don film in 2006.
Says Farhan, "Don is remembered for his sharp witty dialogue. We thought it would be a nice re-introduction for the character in the audiences' mind if we published the Don quips as sayings. We're putting out Don's philosophy, in a manner of speaking. They are reflective of his tongue-in-cheek attitude towards his friends and foes alike."
Yup, we like.
The eventual idea behind the 'Don Says...' strategy is to put all of the gangster's gyan into a book form.
![]() |
The lines that Shah Rukh Khan threw at his adversaries in Farhan Akhtar's Don went on to become far more popular than the superstar or director Farhan Akhar ever imagined.
And now just when the sequel is around the corner, Farhan and his producer-partner Ritesh Sidhwani have hit on a novel method to popularize 'Don' Shah Rukh Khan's quips and homilies.
Entitled 'Don Says...', the series of one-liners spoken on screen by the film's steely-nerved edgy-mouthed hero will be out one after another every Friday for 11 weeks from October 14 till the release date of Don 2 on December 23. One Don-gyan every week for the famished junta to chew on.
Explaining the smart-alecky strategy, Farhan says, "We're releasing the Don quips in a series called 'Don Says...' one after another, one every week from this Friday. These quips will be put out on every media from print to television to web to cell phones."
This Don-gyan gambit was seen as a smart marketing move in the light of the popularity Shah Rukh's quips gained after the first Don film in 2006.
Says Farhan, "Don is remembered for his sharp witty dialogue. We thought it would be a nice re-introduction for the character in the audiences' mind if we published the Don quips as sayings. We're putting out Don's philosophy, in a manner of speaking. They are reflective of his tongue-in-cheek attitude towards his friends and foes alike."
Yup, we like.
The eventual idea behind the 'Don Says...' strategy is to put all of the gangster's gyan into a book form.
Thursday, October 6, 2011
Force
| |||||||||||
Tuesday, October 4, 2011
Monday, October 3, 2011
Ra One
www.SalmakKhansongs.blogspot.com
A father trying hard to 'fit-in' in his Son's badass world- A son ... is trying hard to 'dude-up' his dad from 'aiiiyyyo' to 'YO!' And a mother lost in translation between her husband's 'ingeva' and her son's 'Inn'it!'
While Shekhar was trying every trick in the book to woo his son, get 'dude-ified' and 'up his coolness quotient' his son had given up on him...
Just when the father-son duo hit a deadlock- Shekhar strikes gold when he designs one hell of a game.
Finally it all starts falling in place...
...as the family comes together...
...only to find themselves in the middle of a crash...
...not just a hard drive crash but a crash that would drive them to a disaster and make their lives go - KABOOM!!! RoOne Offical Website is www.RaOnemovie.com
...All hell breaks loose when - the game that was meant to be played with... starts playing them...
Ra.One- The next level.
While Shekhar was trying every trick in the book to woo his son, get 'dude-ified' and 'up his coolness quotient' his son had given up on him...
Just when the father-son duo hit a deadlock- Shekhar strikes gold when he designs one hell of a game.
Finally it all starts falling in place...
...as the family comes together...
...only to find themselves in the middle of a crash...
...not just a hard drive crash but a crash that would drive them to a disaster and make their lives go - KABOOM!!! RoOne Offical Website is www.RaOnemovie.com
...All hell breaks loose when - the game that was meant to be played with... starts playing them...
Ra.One- The next level.
RaOne Music Review
By Joginder Tuteja, September 14, 2011 - 09:12 IST
EXPECTATIONS'Humungous' - That's what described in one word the expectations one has from the music of Ra.One. Though this may seem like a simple word, there is a lot that goes behind the expectations here.
- Ra.One boldly claims itself to be the biggest movie ever made in the country
- Shah Rukh Khan is returning to the big screen more than year and a half after his last big screen outing
- Due to two reasons above, music has to be in line as well
- Vishal & Shekhar are synonymous with new sound especially when it comes to biggies. The stage is all set for them to justify the trust and confidence shown in them to deliver goods.
- Music of films made by Anubhav Sinha has more often than not always worked. Remember Dus, Cash, Tum Bin?
Simply put, there is no margin of error and with the kind of grandeur that the film promises; music has to be in accordance too. With expectations of a loaded experience ahead (Ra.One has 10 unique tracks with five remixes to further boost the prospects), one plays on Ra.One.
MUSIC
| Write your own music review of Ra.One |
Expectedly, the album begins with 'Chammak Challo' which was 'leaked' a few months ago and has been in news ever since then. Well, the song more than lives up to the huge hype that has been built around it, courtesy Akon who has been dragged into the Bollywood music arena. A grand song by all means with huge production values that would be assuring enough for Akon to believe that this one can compete at an international level, 'Chammak Challo' is a fantastic amalgamation of Indian, Middle East and Western sound that gives it a distinguished appeal. Written by Vishal Dadlani and Niranjan Iyengar, the song is not just about Akon, as Hamsika Iyer lends him good support as well in the later parts of the song.
A huge winner all the way that Akon would certainly want to introduce in his international tours as well, 'Chammak Challo' arrives in an astonishing five 'remix versions'. Does one feel like being treated to an overdose of 'Chammak Challo'? Not at all as whether it is the regular 'remix', 'Punjabi mix', 'Club Mix' or 'International version' (where Akon goes solo), the impact is only accentuated as one is treated to a repeat play of this highly foot tapping number.
As one comes out of the euphoria of 'Chammak Challo', Vishal-Shekhar bring on a much sober and melody inclined 'Dildaara - Stand By Me' which is written by Kumaar. Now this is the kind of number that one always expects in a Shah Rukh Khan starrer and it is pretty much out there on a platter with Shafqat Amanat Ali doing quite well in bringing on a romantic number. While the start by itself is impressive, the song takes a different dimension altogether once the key word 'Dildaara' arrives. A love song which is a good fusion of modern day sound and Bollywood ethos, 'Dildaara' has Shafqat seeing good support coming from Vishal Dadlani, Shekhar Ravjiani and Clinton Cerejo as well. It is back to Akon with 'Criminal' which is a surprise because all this while one had expected 'Chammak Challo' to be his sole outing. This time around Akon sounds more like the way music lovers have been used to hearing him for last few years. However, what impresses most is the way Vishal-Shekhar go on to give 'Criminal' an altogether different dimension as from a peppy Western outing, it moves ahead as a high paced quintessential dance number, only to turn into a full-blown Hindi film song with the arrival of Shruti Pathak. Also, as a singer Vishal Dadlani does well to fuse his lines along with that of Akon, hence giving 'Criminal' a unique appeal. Written by Kumaar and Vishal Dadlani, 'Criminal' isn't a song about crime but is instead about a man wooing his lady love! The 'remix version' only adds on to the appeal.
There is a surprise in store though with the arrival of 'Bhare Naina' which turns out to be a shocker of an outing. Reason being that the soundtrack completely changes track with Nandini Srikar making it a semi-classical outing, courtesy her rendition which is filled with pathos. The song starts off rather slowly and just when one felt that it would take an out and out classical approach, Vishal-Shekhar bring in a fusion sound with Western elements coming in play as well. In the later portions of the song, they can also be heard faintly in the background as back up vocalists hence lending a haunting appeal to this sad song. Written by Panchhi Jalonvi, 'Bhare Naina' may not attract one's attention instantly but has in it to create a cinematic appeal when heard as a part of the film's narrative.
It is a much safer outing though with the arrival of Anvita Dutt written 'Right By Your Side'. A peppy feel-good song by Sidd Coutto which is about living life to the fullest and celebrating an all around bonding filled with happiness, it is good but seems a rather ill-placed in Ra.One. The kind of number which is more suited for a I Hate LUV Storys or a Break Ke Baad or an Anjaana Anjaani - all being Vishal-Shekhar creations, it may just find itself lost in the crowd in an album like Ra.One since the film comes with an altogether different theme, subject and genre. The real fun begins from this point though as one gets to hear the real sound of Ra.One with five tracks in a row that turn out to be theme/background pieces that truly define what the film stands for. First to arrive is 'Raftaarein' which is a killer of a track, courtesy some true homage paid to R.D. Burman with an old world 70s style sound of an action thriller. Vishal (who also writes the song) as well as Shekhar go totally uninhibited behind the mike and come up with full throated rendition to make 'Raftaarein' a high energy number that should turn out to be adrenalin pumping and quite high impact when seen on the big screen.
Fun continues with 'Jiya Mora Ghabraaye - The Chase' which, as the title suggests, is created for a chase sequence. The moment this near five minute long track begins, one is reminded of another supremely well orchestrated 'Adrenaline Nitrate' that Vishal-Shekhar had created for the theme of Dus. This time around the production is far grander with Sukhwinder Singh and Vishal Dadlani coming together with a fusion mix that ends up creating a trance effect. The song also sees Anubhav Sinha stepping in as a lyricist with Vishal Dadlani chipping in as well. Yet another track which is made for the big screen!
Next three tracks that follow last close to 100 seconds each and are actually the same musical pieces about which much has been said and written about the 200 piece orchestra that was put together by Vishal-Shekhar in Prague. International in appeal and pretty much fitting into Hollywood scheme of things, 'Comes The Light - Theme' is the first to come which is just what one would have expected from a gargantuan superhero flick like Ra.One. 'I'm On' pretty much takes the album forward with the sound of 'Raftaarein' presented in a contemporary manner instead of being set in the 70s mode. Last to arrive is 'Song Of The End' which has a sad feel to it and reminds one of the sound from Titanic. All said and done, these are the theme tracks that would have made acclaimed Hollywood composer Hans Zimmer stand up and notice. OVERALL
Ra.One has brilliancy written all over it and is clearly a huge winner all the way. It isn't just the grandest score of the year but is also one of the hugest ever that has come out of Bollywood. Music here not just meets the huge expectations but also surpasses it at various junctures, hence making it a satiating experience for the listener. Not just that as it also promises a major cinematic outing once big screen comes calling. A definite choice of the season.
OUR PICK(S)
Chammak Challo, Dildaara - Stand By Me, Raftaarein, Criminal, Jiya Mora Ghabraaye - The Chase, I'm On
Wednesday, August 17, 2011
Ra One Vs Bodygurad
Both Superstars Salman Khan, and Shahrukh Khan Both are in The Top Ranking Actors, Recently Released Movie Bodyguard Creates History by Collecting Above 100 Crore in its First Week, Now The Question is that will RaOne The Most Awaiting Movie of Shahrukh Khan, and Shahrukh has spend 150 Crore on The Movie, This is not sure that if the budget of movie is huge then movie will be hit, but may be who knows, The RaOne will release on 26 October 2011. Still yet one song known as Chamak Challo and Teaser of Movie is released and people's like it so much, Really This is very Special Project of Srk, But in The Front of Salman Khan, No one is being hit. will RaOne Break The Rewritten History Records of Bodyguard Or Not, fact is that both movies Releases on Events, while as Bodyguard released on EID, RaOne will release on Diwali.
Friday, August 12, 2011
Monday, August 1, 2011
Subscribe to:
Posts (Atom)
EXPECTATIONS
After a couple of club outings comes a quintessential Bollywood dance number that has Pritam giving exactly what is expected from him. With its opening sound on the similar lines as 'Zor Ka Jhatka' [Action Replayy] and the mood similar to that of 'Twist' [Love Aaj Kal] , 'Jhak Maar Ke' is clearly one of the massiest numbers that John Abraham has danced to in his decade long career. With Neeraj Shridhar and Harshdeep Kaur clearly having a lot of fun behind the mike and singing to the rhythm of some 'desi' Punjabi beats, 'Jhak Maar Ke' written by Irshad Kamil works instantly with the listener and only makes one nod in approval by the time the 'remix version' arrives.
OVERALL

Yashvardhan (John Abraham) is a hard-headed senior narcotics officer who doesn't play by the book but always ensures that justice is served. He believes that the only way to eradicate crime is to give criminals the bullet - not hand cuffs. In the midst of his most dangerous and significant operation to crack down on India's drug cartels, Yashvardhan encounters a ruthless enemy who will stop at nothing until he gets his revenge for the damage done to his business by the narcotics team. He also meets the free-spirited Maya (Genelia), whose love pushes him to make a choice between the life he already knows and the life he could have with her. Yashvardhan's decision to let happiness and normalcy into his life changes his life forever. 

